I'm late to this game but couldn't resist the invitation to psychoanalyze myself. If you want to play, go read amba's post about the cube. It's easy: you envision a simple scene, then read the key to determine what your scene reveals about you.
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If you're going to play, don't read my results below until you've thought up your own scene -- otherwise your results may be skewed.
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My scene built itself sequentially and quite illogically, with Midwestern trees and flowers planted right in the middle of a dry, Saharan desert. This could mean I'm transplanted, idealistic, or out of touch. Or maybe that I don't fit in.
What's most disturbing is that I put myself into the scene. I was sitting there in the sand looking at this small, blue, metallic cube from the very beginning. Since I am the cube, I take this to mean I'm too self absorbed (as most bloggers are, I suppose) but also that I see myself as just one small, shiny person in a large, large world.
The ladder and horse to my right were both solid, brown and rugged -- fitting as I see both my husband and my work in this way (though the aforementioned tree showed up only because the ladder needed something to prop itself up against -- hmmm).
The storm was approaching slowly from the right as well but was not especially threatening, which is good. I can handle stress at work and at home.
The flowers -- begonias and impatiens -- were behind me, and the horizon -- in front of me -- was wide, open, vast and empty. This could mean I'm not paying enough attention to my most important relationships. Or it could mean I'm hoping to lead my friends and family into the beautiful, unknown desert of our future. Probably a little bit of both, but I'll hope for the latter and be mindful of the former.
What's most fascinating to me about this exercise is that the actual objects -- the cube, desert, ladder, horse, storm and flowers have nothing to do with the real results. I'm not certain, but I think it could work just as well if you told people to envision a sphere in a large parking lot, then a hubcap, a dog, an approaching car and a series of grid lines instead (okay, these objects don't offer as many options symbolically, but you get my point).
Maybe I'll try it with a few variations on unsuspecting friends and see what happens. Or maybe I'll buy amba's book and learn all the inside details.
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